By Galya Dimitrova
Back in November 2013 I attended “Aesthetica Film Festival” in York. All the screenings I attended were brilliant for different reasons. In my views, every form of media that could convey a great idea in a limited amount of time, space and budget for that matter, deserves more admiration and respect than any major Hollywood-like production. The production of a short film could be the most valuable and in the same time most challenging project of everyone involved – from actors to directors. It is also an experience proven to be very personal, especially if this is your first big filmic venture. Your time is constrained, your budged could be little to non-existing and it is highly likely that you have several roles to deal with because your crew is not so big, too. In the same time, you have the freedom to experiment and introduce your unique ideas to the world. You have the chance to make the audience see the audience see the best of your work (regardless if it is performing or production) because you are not dependant on as many other factors as if you were involved in the production of a successful film company. Working on a short film gives you the opportunity to make “ars gratia artis” and fill your portfolio with a piece you are very proud of and enjoy being part of.
These and many other things I remembered when I stumbled upon a
Alice Lowe, ASFF. Source: Internet
notebook where I hurriedly scribbled down notes from the screenwriting master class I attended in the festival. The lecturer was no other than Alice Lowe who, for those who need introduction, has starred in “Hot Fuzz”, “Kill List”, “Sightseers”, “Black Books”, and I was happy to see her in “Sherlock” recently (S03E02, The Sign of Three). She talked about scriptwriting of short films with such passion, that I remember her talk alone inspired me to write down some ideas and work on them. She talked about the many problems that scriptwriters, producers and actors face when creating a short film and gave advice from her own experience how to overcome them. “A short film gives you strength”, she said which gives a proper food for creative thoughts, bearing in mind that it comes from a person who despite “struggling to make ends meet” has always been “all experimental”.
As a tribute to her memorable speech, I decided to list 10 of the best, most memorable quotes from this afternoon that would hopefully make you rediscover your creativity if you have been a bit stuck, or dive in it if you have just undertaken some artistic projects:
10. “It is always stronger to be able to be able to show something because it is un-ignorable.”
9. “The real work starts when you hand it over to someone else to have a look at it.”
8. “If I hadn’t been developing my own short films, I wouldn’t be able to move onto feature films.”
7. “Sometimes the first take might be your best.”
6. “Rehearsals are luxury in film making “
5. “It is possible to make a short film with nothing if you’ve got the right contacts.”
4. “Find a muse that could be really powerful; somebody who makes your creative juices running.”
3. “Improvisation is a very strong tool in comedy. If you have written something and it doesn’t make you laugh, then you have to change it.”
2. (my personal favourite) “All comedy is serious. I take it dead seriously. It is as technical as any kind of acting. If you have a comic role, play it as seriously as possible. Nobody thinks his life is a joke.”
1.“None of the films are perfect. They were never meant to be.”
As you could probably se for yourself, Alice captures the essence of the work around a film. The main message she got across was that frustration and struggling is absolutely normal and also “the most daunting thing on earth”. But going through all these nuances of the creative process is worth it because “the point of making a short film is getting your own vision, make your own mistakes, finding your own voice and learning”. She stands for brevity when it comes to work, backing up the idea of taking chances. She herself shared how back in the days she decided to make a short film per month with some like-minded colleagues of hers. This is how “Stiffy” came about – a short comedy film with a little bit disturbing undertone as the plot could basically be summarised in the sentence: An orderly is courting a corpse he falls in love with. Nevertheless, the idea is brilliantly executed and it proves what Alice says that a short film could be created with a minimum budget and crew as long as the plot is original and the writer doesn’t submit to frustration and fear of failure. In IMDb “Stiffy” has a hating of 7.4/10, its rank keeps growing and one review describes it as “very amusing and inventive”. Alice’s idea and work on it justifies the definition she gives about her mindset: “a funny mixture of loving really natural and really surreal stuff”.
It felt great to be in her lecture. Being a writer as well as an actor, she is a person with a strong presence, very elegant sense of humour and definitely a professional to look up to. Those of you out there who are specifically working on creating comedy could benefit a lot from her advice, the main one of which could be: “Try to truthfully portray what is happening to a human being”. It should work for any kind of scriptwriting. In fact, the quote that I loved the most because it is funny and very deep and true at the same time is : “The difference between comedy and tragedy is how many people are alive in the end.” It was worth meeting Alice just for the sake of hearing this.
Source: BAFTA Guru
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Tags: Aesthetica Short Film Festival, Alice Lowe, inspirational quotes, scriptwriting, short films, top ten, writing techniques